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Emma Fielding does a good job playing Alison, who has grown up with the one attitude but has been forced by her situation into the other.Fielding gives a good performance as the woman who tolerates Jimmy's invective, living constantly with the threat of something erupting in front of her.Appalled at what she finds, Helena calls Alison's father to take her away from the flat.
He rages to the point of violence, reserving much of his bile for Alison's friends and family.
The situation is exacerbated by the arrival of Helena, an actress friend of Alison's from school.
newspaper's influential critic Kenneth Tynan, who saw it as the first totally original play of a new generation.
There were others who hated both it and the world that Osborne was showing them.
But even these critics acknowledged that the play, written in just one month, marked a new voice on the British stage.
Howard Brenton, writing in the newspaper at the time of Osborne's death in 1994, said, “When somebody breaks the mould so comprehensively it's difficult to describe what it feels like”.
In the same paper, Arnold Wesker described Osborne as having “opened the doors of theatres for all the succeeding generations of writers”.
came to exemplify a reaction to the affected drawing-room comedies of Noel Coward, Terrence Rattigan and others, which dominated the West End stage in the early 1950s.
Some of the imagery and language doesn't travel too well historically and reflects only the preoccupations of the era.
It is difficult, for example, to imagine jazz being quite as exotic as it is for Jimmy.