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In the Penelopiad, Atwood essentially tells the story (and backstory) of Homer's epic from Penelope's perspective; that said, Atwood's Penelope speaks in a very "modern", dead-pan manner. You can use this password for unlimited period and you can share it with your friends!
however, the semantic relation between the proper name and the gloss is not clear.
In folk etymology, Pēnelopē (Πηνελόπη) is usually understood to combine the Greek word pēnē (πήνη), "weft", and ōps (ὤψ), "face", which is considered the most appropriate for a cunning weaver whose motivation is hard to decipher.
Penelope is recognizable in Greek and Roman works, from Attic vase-paintings—the Penelope Painter is recognized by his representations of her—to Roman sculpture copying or improvising upon classical Greek models, by her seated pose, by her reflective gesture of leaning her cheek on her hand, and by her protectively crossed knees, reflecting her long chastity in Odysseus' absence, an unusual pose in any other figure. The use of Penelope in Latin texts provided a basis for her ongoing use in the Middle Ages and Renaissance as a representation of the chaste wife.
This was reinforced by her being named by Saint Jerome among pagan women famed for their chastity.
adding that she might take this opportunity to talk to Telemachus (which she will indeed do).
She is ambivalent, variously asking Artemis to kill her and, apparently, considering marrying one of the suitors.
Usually the motives of mortal and god coincide, here they do not: Athena wants Penelope to fan the Suitors’ desire for her and (thereby) make her more esteemed by her husband and son; Penelope has no real motive ...
she simply feels an unprecedented impulse to meet the men she so loathes ...
Penelope is the wife of the main character, the king of Ithaca, Odysseus (Ulysses in Roman mythology), and daughter of Icarius of Sparta and his wife Periboea.
She only has one son by Odysseus, Telemachus, who was born just before Odysseus was called to fight in the Trojan War.