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The Fridas are sitting in the same positions, are holding each other hands, which, in its turn, expressed the thought that duality is still conditioned by the unity of these parts.The observer may also see that the Frida in white has the heart ouvert and her bloodline is cut with scissors.
One can observe an explicit mirror-reflexion of the doubled Fridas, who are wearing different clothes.
The Frida in white has the native Indian dress on and represents the person Diego was in love with.
In contrast, the other Frida wears European dress and represents the woman Frida has become on divorcing her husband.
The viewer may notice that both Fridas have open hearts and interlacing bloodlines.
Being autobiographical, “Two Fridas” became the result of the artist’s pain and personal tragedy of divorce from Diego Rivera.
The picture was managed in 1939 in oil and is being accepted as early Mexican surrealism [Davis, p.7].
She deployed both to create work that was culturally and politically resonant as well as transgressive and transcultural.
Kahlo’s work must therefore be examined in relation to her knowledge of art history, avant-garde movements, and modernist innovation, as well as her life’s events and cultural context.
Kahlo’s present iconic status results in part from an oversimplified understanding as well as admiration for her creativity and perseverance, all of which fuel the mythologizing phenomenon known as Fridamania.
Kahlo biographies are a lucrative commercial industry aimed at readers at all levels from children to teens, general audiences, and college students.