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Iago's language also degrades human activities to the level of animals which also serves to alienate him from the rest of the characters and from the responder.
His sentences and phrases are balanced and an exact measure of the cool self-awareness that typifies all Iago says and does.
It is through language that Shakespeare alienates Iago from the other characters: "Tis in ourselves that we are thus or thus.
Desdemona, representative of goodness and heaven, blames her death on herself and not Othello.
She is representative of the good in nature and is referred to as ?
(this essay uses 2 supplementary materials: Metho Drinker by Judith Wright, and Da Vinci's The Last Supper) Shakespeare, in the play Othello, represents belonging and alienation through the use of relationships between characters, the use of dramatic irony, and through the use of language devices.
Othello, a moor, is physically alienated from the other characters because of the colour of his skin, however, his great reputation as a general gives him a sense of belonging to Venetian society.
Iago on the other hand, is alienated from all because he is recognised as a villain.
Paradoxically, Desdemona belongs because of her innate goodness.
The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.
Othello is first shown as a hero of war and a man of great pride and courage.